Monday February 16 – Thursday February 19, 11pm PT
What Happened to the City That Never Sleeps?
As part of “New York By Foot”
Works by: Moisés Acevedo, Frances Arpaia, Anton Astudillo, Megan Cahill, Shamus Clisset, Catherine Corman, Nate Dorr, All Rights Aint Reserved ©️, Diana Guerra, Rachael Guma, Alexander Hahn, Chihiro Ito, Rebecca Krasnik, Jard Lerebours, Maia Liebeskind, Sally Kong, Daniel Maldonado, Mary Rose McClain, Tim Pickerill, Raymond Pinto, Lamar Robillard, Sabrina Santiago, Zhiqian Wang, Chia Yun Wu, Yiran Xu

Microscope is very pleased to present “What Happened to the City that Never Sleeps?,” a group screening of new and recent works curated by Microscope from an open call. The event is taking place as part of our new monthly series “New York By Foot,” both in person and online.
While the first three events of the series — which is dedicated to works showing the energy and broad range of lives lived with NYC — were historic films made between the 1920s and 1990s, this program highlights our current times with works completed between 2016 and 2026. In addition to 35mm or 16mm film, the program also includes Super 8mm, digital video, stop-motion animation, animated photography, gaming, and generative, among other footage and imagery.
The parties, sports, music, protests, stories and other moments captured from throughout the five boroughs in “What Happened to the City that Never Sleeps?” stand in contradiction to the frequent narrative of the city’s demise that has emerged in recent years. With this program we say: long live New York!
The two-hour program will take place in two parts with a brief intermission in between.
Thank you to the many others who shared work for the open call. Special thanks to Violet Beck for her assistance with the organization of this program.
The title of the series “New York by Foot” references both the history of filming the city while walking its streets and that referring to the length of a celluloid film by the number of feet of its rolls, rather than its duration in minutes.
Future programs will continue to take place on the third Monday of each month.
General Online Admission $9 (Valid through Thursday February 19, 11pm PT)
Member Online Admission $7 (Valid through Thursday February 19, 11pm PT)
General Admission (In Person) $10
Members & Students (In Person) $8
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Moisés Acevedo is a Dominican American actor and writer from the Bronx, NY, whose work spans mainstream television and boundary-pushing independent cinema. Some of his credits include Marvel’s Daredevil, Orange Is the New Black, and the Sundance breakout Ponyboi.
Frances Arpaia is a queer trans woman who lives in Brooklyn and makes weird films.
For over ten years, Anto Astudillo has been filming different protests they have encountered in the United States and Chile: Chile’s “Penguin” Student Revolution, the Queer Liberation March, Black Lives Matter, the Women’s March, and the Chilean Social Movement that erupted on October 18, 2019. These popular gatherings have been filmed with the intention of archiving history, as well as motivating in viewers a feeling of unity and collectiveness. Just like signing in unison, protesting is an ultimate act of togetherness that resonates across the world.
Shamus Clisset (aka FakeShamus) is a Brooklyn-based artist working with 3D modeling, rendering, animation, and simulation. He has exhibited in and around NYC for over 20 years. He moved to the city in the spring of 2001, just a few months before the attacks of 9/11, and has lived here ever since. His long-running body of work forms a darkly humorous mash-up of contemporary banality with historical points of reference, emphasizing the violence that simmers beneath the surface of our modern cultural wasteland. His high-res, digitally perfect subjects are stand-ins for illusions of control and over-compensation; satires of ambition and (non)progress distorted through the prism of contemporary media. FakeShamus’s world is reborn from a post-meaning void of memes, the alternate realities of video games and online identity, our fading sense of history, and a bleak future. But it’s fun!
Nate Dorr is a filmmaker and photographer whose work examines the complicated landscapes of the late Anthropocene. Based in Brooklyn, lapsed neuroscientist, habitual wanderer of transitory pseudo-urban spaces.
All Rights Aint Reserved © is an independent film practice led by Gabereel, a Bronx-based Dominican filmmaker and editor. Rooted in analog process, the work moves between motion picture film and VHS – favoring texture, instinct, and authored cinema over disposable content.
Diana Guerra is a Peruvian born lens-based artist and educator currently based in New York. Her work revolves around themes of memory, belonging, and identity (re)construction, from the perspective of a woman of color navigating displacement. She received an MFA in Digital and Interdisciplinary Art Practice from the City College of New York and a bachelor’s degree in Sociology from the Pontifical Catholic University of Peru. Guerra’s early training in photography was at Parsons School of Design as part of the MFA Photography program. Selected exhibitions include the Bronx Museum, Museum of the City of New York, The Latinx Project, Mana Contemporary, Penumbra Foundation, Der Greif, and Photoville. Guerra is a 2026 Kahn | Mason SIP Fellow and a 2025 NYSCA/NYFA Artist Fellow in Photography. She received the AIM Bronx Museum Fellowship and the SPCUNY Faculty Fellowship in 2024, and the En Foco Photography Fellowship in 2022. She has been an artist in residence at the Center for Photography at Woodstock, NY; Wassaic Project, NY; Andamio, Lima, Peru; and Hangar, Center of Artistic Research, Lisbon, Portugal. Diana is currently an Adjunct Professor at The City College of New York (CUNY).
Rachael Guma is a light and sound artist who works with liquid light projection, Super 8 film, Theremin, turn-table manipulations, live Foley, collage, and stop motion animation. Her work often explores motion studies, deconstruction, the interplay of sound and image, improvisation within constraints, and serendipitous moments, while her fondness for stop motion animation allows her to convey unconventional narratives infused with humor and lightness. Her work has been shown at AXWFF, Anthology Film Archives, Ambient Church, BRIC Arts Media, Brooklyn Children’s Museum, Echo Park Film Center, Das Haus der Kulturen der Welt, Index Festival, The Kitchen, Long Island Children’s Museum, Museum of the Moving Image (MOMI), Microscope Gallery, Mono No Aware, Morbid Anatomy Museum, Museum of Art and Design (MAD), Northern Flickers, Orphans Symposium, Participant Gallery, Paul Klee Museum, Planet Money Live, RX Gallery, Roulette Intermedium, San Francisco Cinematheque, Transient Visions, UnionDocs, Unseen Cinema, and the Whitney Museum of American Art (in alphabetical order).
Alexander Hahn (b. 1954, Rapperswil, Switzerland) is an electronic media artist whose work spans video, installation, computer imagery, print, animation, virtual reality, and writing. Rooted in the everyday, he transforms daily—often accidental—recordings into works that probe perception, memory, and dream. He earned a degree in art education at the Zurich University of the Arts (1979) and took part in the Whitney Museum Independent Study Program (1981). Based between Kolobrzeg, Zurich and New York, his art has been the subject of major surveys, most recently at Kunstmuseum St. Gallen (2022), with works held in collections such as Centre Georges Pompidou, Paris, ZKM | Center for Art and Media, Karlsruhe, and the International Center of Photography, New York.
Chihiro ITO is a painter / multidisciplinary artist from Tokyo where he studied painting at Musashino Art University, also he took a continuing education writing course at the School of Visual Arts. Living in NYC. They was an invited artist at European Capital of Culture events in Portugal and Cyprus, Serbia, Lithuania. They is the recipient award from Jonas Makas Fellow Residency, Japanese Government Cultural section grant, Holbein painting award, NYFA City Artist Corps, Robert Rauschenberg Foundation emergency medical grant, Bronx Art Space for Artist in Residency in Governors Island etc. They also received scholarship from The Poetry Project, The Elizabeth Foundation for the Arts. Their art has been shown at MoMA PS1, Pioneer Works, Queens Museum, Christieʼs NY etc. Their art was also archived by UCLA music library, Anthology Film Archives. Their art work looks for the poetry opportunity in ordinary objects and everyday experiences to connect people across geopolitical boundaries.
Rebecca Krasnik (b. 1987) works with analogies between the digital and the analog. She places her images in artist’s books, sculptural installations, and augmented reality (AR), contrasting a bodily experience with digital representations of time and space. A red thread through her work is an investigation of how new technology continues to change the way we create and interact with images today. Most recently Rebecca Krasnik has shown her work in solo exhibitions at Trykkeriet in Bergen, the House of The Danish Printmaker Association in Copenhagen (2023), and Greene House Gallery in NYC (2022). Recent group exhibitions include Field Projects in NYC (2024), as well as Galleri 1,4 m3 (2025) and AGA Works in Copenhagen (2024). Originally from Copenhagen, Denmark, Rebecca Krasnik holds an MFA in Photography and Related Media from School of Visual Arts in New York City, USA (2018) and a BA in Photographic Arts from University of Westminster in London, UK (2013).
Jard Lerebours (He/They) is a NY-based Queer-Black magician in the tradition of Djibril Diop Mambéty. Their practice straddles the worlds of autofiction, cinema and video art. Jard approaches filmmaking as a conversation between friends and family guided by their communal West Indian upbringing. He is an active member of the Meerkat Media Artist Collective and Brooklyn Filmmakers Collective.
Maia Liebeskind is a digital artist based in New York. Curious about exploring language and mundanity, she works primarily in video, animation, writing, and installation. She studied art at SUNY Purchase, and has shown recent work at Flux Factory, the Film-makers Co-Op, and the Gallatin Galleries.
Sally Kong is a technical artist and hobby biologist based in Brooklyn, NY.
Featured in the New York Times, Daniel Maldonado is an award-winning, LatinX filmmaker whose handcrafted celluloid and digital works have been commissioned and exhibited over the last 15 years. Committed to an intuitive process, his poetic works have been showcased in group shows at such institutions as the Museum Of Modern Art, Rome’s Maxxi Museum, and Mexico’s Cineteca Nacional. His most recent short, “..in darkness there is light,” has been festival showcased at the Harvard CamLab and Museu Historico de Itaji- Brazil, while receiving the Founder’s Award for Experimental Film in the 2024 Queens World Film Festival at the Museum Of Moving Image.
Mary Rose McClain is a germinating self-taught filmmaker in New York City. They search for openings between the magical and mundane, experimenting with analog home-movie formats to magnify obfuscated powers, metamorphic compositions, and her grandmother’s Sicilian superstitions.
Tim Pickerill is a poet and multi-media artist from the great plains, big sky country. In 1997 he began developing The Omen Project, a series of performances, music, video, photography, painting, and installation work inspired by Nuclear War and the themes in the Iliad and the Odyssey, now spanning 29 years, 16 productions, 2 play scripts, and multiple series. Mr. Pickerill has taken part in many video festivals internationally and performs in the New York Experimental Music scene. He lives in Brooklyn and works in the Art World at various venues. His influences have been Antonin Artaud, Burroughs, Bataille, DADA, Viennese Actionism, Butoh, and Hard-Core Weirdness.
Raymond Pinto is an interdisciplinary artist and creative researcher whose practice spans choreography, performance, printmaking, filmmaking, sound, and sculpture. Rooted in the diasporas of the global south, his work centers the body as an archive; unearthing movement as both method and language to explore frameworks of displacement, memory, embodied intimacy, and transnational histories. Through live performance, film, and material based processes, Pinto creates immersive works that blur boundaries and invite audiences into spaces of transformation, care, and collective sensibilities of liberation.
Lamar Robillard, born in Brooklyn, New York in 1991, is a Haitian American conceptual artist, photographer, and filmmaker. His multidisciplinary work critically examines themes such as truth, indoctrination, spirituality, identity, visibility, resistance, and non-conformity, articulated through both information and material. Robillard earned a Bachelor of Arts in Psychology and Sociology from CUNY and was subsequently awarded a scholarship along with an invitation to pursue his Master of Fine Arts at the School of Visual Arts. Robillard’s training began in Analog photography and quickly expanded to embrace a wide range of media — including installation, sculpture, film making, painting, photography, writing and performance. Much of Robillard’s practice is anchored in his intention to be didactic through the use of information as a medium. Robillard has exhibited at Banquet Gallery, Milan (2026); Gotham, New York (2026); Long Gallery, New York (2025); Cleo The Project Space, Savannah, Georgia (2025); Beverlys Gallery, New York (2025); Heath Gallery, New York (2025), Band Gallery, Toronto, Canada (2024); Washington City Church of Brethren, DC (2024); Hangar Centro de Investigação Artistica, Portugal (2024); Lower Manhattan Cultural Council, New York (2024); Swivel Gallery, New York (2024); Siskel Film Center, Chicago (2023); Renditions , Paris (2023); Swivel Gallery, New York (2023); ChaShama, New York (2022); Collision Gallery, Toronto, Canada (2022); HAUSEN, New York (2022); Efa Project Space, New York (2021); Swivel Gallery, New York (2021); Bedstuy Art House, New York (2021); and Artport Kingston, New York (2021).
Sabrina Santiago is a New York-based photographer and filmmaker whose work explores identity, community, and self-discovery through the nuances of daily life. Her documentary approach builds on the tradition of street photography to transform fleeting gestures and encounters into intimate reflections on humanity.
Zhiqian Wang is an artist and filmmaker working across analog film, installation, and painting. In her films, she examines how meaning is constructed or deferred through the reciprocity between image and sign, while emphasizing the material processes of analog media. She holds an MFA from Columbia University and is currently an artist in residence at Art Explora × Cité internationale des arts and Vila 31.
Born in Taiwan, WU Chia Yun is an artist and filmmaker based in New York City. She holds an MA in Visual Communication from the Royal College of Art (UK). Her works have been internationally exhibited at Art Basel (HK), LUMA Arles (FR), Institute of Contemporary Arts (UK), Royal Scottish Academy (UK), National Museum of Contemporary Art (PT), Taipei Biennial (TW) and more; Solo exhibitions at the Museum of Contemporary Art (TW) and the National Taiwan Museum of Fine Arts (TW). She has participated in artist residencies granted by Conseil des arts et des lettres du Québec (CA) and Lithuanian Photographers Association (LT); Recipient of the Director’s Fellowship from the International Center of Photography (USA); Laureate of Dior Photography and Visual Arts Award (FR).
Yiran Xu is an artist and designer based between New York and the internet. Working across time-based and printed media, Yiran aims to explore the subtext of the digitized space in conjunction with human activity and subjectivity.
