Selected Press

“Preview Peek: 9 Emerging Artists with Solo Booths at Frieze New York”, Artspace, 2019
“Frame: Emerging Galleries from Across the World”, Frieze, 2019
“Be a Body: Shows Around New York Take Up the Materiality of Screen-Based Work”, by Rahel Aima, ARTnews, 2018
“Before Projection”, by Ed Halter, 4Columns, 2018
“Before Projection: Video Sculpture 1974-1995”, by Ara Osterweil, Artforum, 2018 (print)
“Change Promotes Resourcefulness in Brooklyn”, by Holland Cotter, The New York Times, 2016 (print)
“11 Things to Do in New York before April 11”, by Paul Laster, Observer, 2016
“Critic’s Page: The Met-Getty Program for Art on Film”, by Nadine Covert w/ Susan Delson, The Brooklyn Rail, 2013
“Circle the Square: Film Performances by Iimura Takahiko in the 1960s”, by Julian Ross, Post at MoMA.org, 2013
“In the Air: ARTINFO Itinerary”, Blouin Artinfo, 2012
“Digital Aesthetic3: The latest and best digital art at the Harris Museum”, by Richard Moss, Culture 24, 2012
“In Other Words: The Place of Text in Recent Art”, by Sarah Kelleher, Enclave Review, Issue ERO5, 2012
“Art Theatre Guild and Japanese Underground Cinema, 1960-86 at MoMA, New York“, Aesthetica Magazine, 2012
“Fragments in Time & Space at the Hirschorn”, by Will Brand, ArtFCity, 2011
“The Bisected Moon”, by Ethan Pettit, Ethan Pettitt Blog, 2011
“Traces on Film”, by Michael Joshua Rowin, City Arts, 2010
“Takahiko Iimura”, by Julian Ross, Midnight Eye, 2010
“Long-Distance Relationship”, by Annie Buckley and Dane Picard, Artforum, 2009
“Observer/Observed: An Interview with Takahiko Iimura”, by Damien Sanville, Vertigo Magazine, Issue 27, 2009
“The Blinding Cinema of Takahiko Iimura”, by Holly Willis, LA Weekly, 2009
“Takahiko Iimura is a Camera”, by Martin Anderson, 2009
“DIY: Takahiko Iimura”, by Michael Barrett, PopMatters, 2008