Selected Press
Selected Publications
Mindy Seu, Cyberfeminism Catalog, (Los Angeles, CA: Inventory Press), 2023
Exonemo, A Decade to Download: The Internet Yami-Ichi 2012-2021 (Japan), 2022
Torsten Weiler, Happy Kunst Am Niederrhein, (Dusseldorf, Germany: Drost Verlag): pp. 102-103, 2019
Francesca Gavin, Watch This Space, (London, UK: Pentagram): pp. 115, 119, 2017
Speculative Fetish (catalogue) with an essay by Francesca Gavin, (New York, NY: Transfer Gallery). 2017
Lauren Cornell, Tom Eccles, eds., Invisible Adversaries, (Annandale-on-Hudson, NY: CCS Bard Hessel Museum): p. 153. 2016
Anna Ogier-Bloomer, “Social Media for Artists: Interview with Faith Holland, Artist and Curator,” Starting Your Career as an Artist, Angie Wojak, Stacy Miller, eds. (New York, NY: Allworth Press): pp 199-201, 2015
Technophilia (catalogue), with essays by Nora O’ Murchu and Seth Watter, (New York, NY: Transfer Gallery). 2015
Selected Press
2023
“The Defining Artworks of 2023: #18 Faith Holland, Artificial Intelligence Forced to Confront Its Own Death, 2023”, The Editors of ARTnews, December 18, 2023
Emily Watlington, “America Offline,” Art in America, Fall Issue, September
2022
Kaysie Hawk, “Dancing while waiting (the end of the world),” Esse Magazine, November 4
Éric Clément, “Festival international d’art numérique SIGHT+SOUND: Une 12e édition autour de la pandémie,” La Presse, October 25
“Three artists who created unforgettable eschatological works,” Fahrenheit Magazine, May 12
Lauren Studebaker, “Collections: Transfer Gallery,” Outland, March 22
“Invasion Of Ukraine Continues To Send Ripples Across Art World,” Artforum, March 1
Valentina Di Liscia, “Artists Withdraw Works From Russian Museums to Protest Invasion,” Hyperallergic, February 28
Sarah Cascone, “The Alleged Cyber Thief Accused of Laundering $4.5 Billion in Bitcoin Is, Yes, Also an Artist and NFT Collector,” Artnet News, February 9
2021
Tilman Baumgartel, “No offer from German museums,” Kunstforum, Vol 272, February
Eva Maria Albert, “Entertaining Effects: ‘Urban GIF Parcour’ in the Belgian Quarter – Art 11/21,” Choices, October 21
Shauna Doherty, “Well Now WTF?,” Peripheral Review, February 5
Rea McNamara, “Artists and Curators Share Pro-Tips for Successful Virtual Studio Visits,” Hyperallergic, January 8
2020
“Digital Highlights of 2020,” Blok Magazine, December 28
Raffael Dörig, “Bullets and Bars,” Kunst-Bulletin, December
Benoit Palop, “L’art en ligne, ce n’est plus ce que c’était,” i-D, December 1
Anika Meier, “6 Online Exhibitions Not to Be Missed,” Monopol Magazine, November 30
Letticia Cosbert Miller and Emily Fitzpatrick, “What We Mean When We Rant about Digital Art,” Canadian Art, October 7
Nathalie Bachand, “Culture populaire et connexion : le numérique comme véhicule d’affects,” Vie des Arts, Issue 260, Autumn 2020, September 29
Karie Liao, “Well Now WTF?,” Vie des Arts, Issue 260, Autumn 2020, September 29
Osman Can Yerebakan, “I Attended a Touching Party (Don’t Worry It Was Art),” Garage, August 28
Sophie Haigney, “The Unexpected Joy of Internet Art,” The New York Times, August 26
Elisa Wouk Almino, “A View From the Easel During Times of Quarantine,” Hyperallergic, July 17
Emily Steer, “Hair Today, Gone Tomorrow: The Subversive Power of Pubes,” Elephant Magazine, June 26
Nick Pinkerton, “America, Online,” Rhizome, June 23
Biên tập Phương Thủy, “Online Exhibition — A future story has become a reality,” Elle Vietnam, June 16
Giampaolo Bianconi, “Faith Holland on dick pics and collective mourning,” Artforum, June 22
Silvia Hernado, “‘Net art’: el arte al que el tiempo dio la razón,” El Pais, June 22
Daniel Penny, “Well Now WTF?: In a Maximalist Online Exhibition, New Media Artists Explore the GIF,” 4 Columns, June 12
Sarah Cascone, “Tired of Netflix? Here Are 10 Recent Masterworks of Video Art That You Can Watch From Home,” Artnet, June 2
Andrea K. Scott, “Strange Days: Hit Pause,” The New Yorker, May 22
Sam Gaskin, “The Video Art That Took Over Under Lockdown,” Ocula, May 21
Jillian Steinhauer, “Virtual Galleries: Well Now WTF?,” The New York Times, May 15
Johanna Fateman, “Well Now WTF?,” The New Yorker, May 15
Angel Callander, “Well Now WTF?,” Canadian Art, May 5
Kentaro Takaoka, “Online art is in progress. Can ‘net art’ be revived in a pandemic?,” Bound Baw, April 3
Laura Feinstein, “Are Digital Galleries Here to Stay?,” A/D/O, April 29
Alexandra Marraccini, “WellNow.WTF,” Bilderfahrzeuge, April 27
Katherine Ho, “#VogueAtHome: 12 Digital Art Shows,” Vogue Hong Kong, April 25
Juan Losa, “Fascismo balompédico, museo del GIF y otras propuestas para hacer frente al aislamiento,” Público, April 24
Ashleigh Kane, “12 digital art shows that you don’t need to leave the house for,” Dazed Digital, April 23
Whitney Kimball, “A Symphony of Filth and Wanking, in Art Gifs [NSFW],” Gizmodo, April 23
Annette Hoffman, “Net art has always been critical,” Artline, April 23
“What cultural plans can I make today at home?” El País, April 22
Jessie Schiewe, “Bored in Quarantine? Visit this Online Art Exhibit,” OK Whatever, April 21
Lily Shykoff, “COVID Culture,” Cult MTL, April 20
Carolina Miranda, “Essential Arts,” LA Times, April 18
Paddy Johnson, “Online GIF show Well Now WTF is a strong start for a net art revival,” The Art Newspaper, April 17
Kim Neudorf, “Well Now WTF? – Online Exhibition,” Akimbo, April 17
Benoit Palop, “Well Now WTF!,” Point Contemporain, April 17
“Well Now WTF?,” AntiMateria, April 16
Clara Tang, “Digital FOMO: What about digital experience in art?,” Gallery Talk, April 15
Chloë Diamond, Serena Tabacchi and Stina Gustafsson, “When Museums Reopen, Will Their Form and Function Have Changed?,” The Observer, April 12
“Five Essential Online Viewing Rooms,” Arcade Project Zine, April 10
“Well Now WTF?,” Arshake, April 8
“An art exhibit made for quarantine questions, ‘Well Now WTF?’,” Unagi, April 6
Leah Sandals, “Well Now WTF?” Canadian Art, April 4
Leah Collins, “This art show was made for the internet, and it’s answering our most burning question: Well Now WTF?,” CBC Arts, April 3
José Luis Montemayor, “Well Now WTF, the new virtual art space,” Hora Cero, April 4
Tina Rivers Ryan, “No Fun,” Artforum, March 30
“From the Gallery to the Couch: How Exhibitions Have Gone Digital,” Elephant Magazine, March 27
Angel Callander, Lindsay Nixon, Leah Sandals, Joy Xiang and Jayne Wilkinson, “Art for Strange Times,” Canadian Art, March 26
“Safe at home streaming: Here are some initiatives for keeping occupied in self-isolation from across our community,” AQNB, March 26
Margaret Jane Joffrion, “Famous Echoes: “< i > also < /i > tubes” at Unrequited Leisure,” Burnaway, March 6
John L Tran, “Japan’s art institutions struggle to cope with the COVID-19 crisis,” The Japan Times, April 1
Nina Berman, “Virtual Art Shows and Performances: Advice from a Multimedia Artist,” Fractured Atlas, April 22
Jillian Steinhauer, “Two Fairs That Reward Some Extra Legwork,” The New York Times, March 6
Paddy Johnson, “A Lack of Excess Makes Spring/Break This Season’s Best Fair,” Observer, March 5
Scott Lynch, “Photos: The Wild Spring/Break Art Show Takes Over Madison Avenue Office Building,” Gothamist, March 5
Alina Cohen, “5 Works at Spring/Break You Can Buy for under $10,000,” Artsy, March 4
2019
Eric Vilas-Boas, “A More Inclusive Future for Digital Art (With GIFs Too),” Hyperallergic, June 12
Osman Can Yerebakan, “Blood, Sweat and Piss: Art Is a Hard Job,” Elephant Magazine, May 18
Charlene K. Lau, “Refiguring Binaries,” Brooklyn Rail, April
“Behind the Scenes with Faith Holland,” Meural, August 1
Cassidy Dawn Graves, “The New Digital Art is Decidedly Anti-Tech Bro,” Garage, April 4
2018
Nora O’Murchu, “Interview: Faith Holland,” Neural Magazine, Issue 61, Autumn 2018
Peter Ortmann, “The absolutely exact brush stroke,” Choices, July 26
Johannes Steger, “Can a machine be creative?” Handelsblatt, July 26
Bernd Aulich, “In the Dusseldorf NRW Forum, people compete against machines,” Ruhr Nachrichten, July 5
Ursula Scheer, “The Painting Robot is an Expressionist,” Frankfurter Allgemeine Zeitung, June 6
Maíra Goldschmidt, “Top 5 Exhibitions June 2018,” Art Berlin, June 2 Birgit Kölgen, “Dusseldorf: Artificial Intelligence in the NRW Forum: A little chat with Nefertiti,” Report D, May 27
Paulina Meissner, “Exhibited in Dusseldorf: Artificial Intelligence! One can speak with this Barbie,” Express and Focus, May 25
“Artists Explore ‘Bleeding Edge’ Technology at the HVCCA,” ArtsNews, April 13
Audra Lambert, “Bleeding Edge An Immersive Triumph at Hudson Valley Center for Contemporary Art,” Ante, April 11
Sarah Cascone, “Editors’ Picks: 16 Things to See in New York This Week,” Artnet News, March 19
Misty White Sidell, “Streetwear for New York’s Art Kids and Misfits,” WWD, March 14
“Bodily metaphors in the pleasure + care of technology for Faith Holland’s Speculative Fetish at Transfer Gallery,” AQNB, January 16
Laila Pedro, “An Evening of Imaginative Fetishes and GIFs,” Hyperallergic, January 3
2017
Tina Sauerlander, “Speculative Fetish at Transfer Gallery,” Artefuse, December 27
Sarah Burke, “Probing Our Fetish For Digital Devices,” Broadly, December 15
Henri Robert, “How the First Biennial of Digital Art Changed Our Definition of Exhibiting Art,” Happening, November 30
Elena Goukassian, “Kickstarter Launches Drip, a Service for Subscribing to Artists’ Projects,” Hyperallergic, November 15
Olivia B. Murphy, “Faith Holland’s Speculative Fetishism And Digital Self-Care,” Artslant, November 28
Charlotte Jansen, “Toolbox: Faith Holland’s Pubes,” Elephant Magazine, October 31
“Faith Holland Speculative Fetish,” Digicult, October 23
Elena Martinique, “Faith Holland Introduces Speculative Fetish in New York,” Widewalls, October 18
Claire Voon, “Artists Tinker with Tech at an E-Waste Warehouse,” Hyperallergic, June 21
Benjamin Sutton, “An Exhibition Celebrating the GIF’s 30th Anniversary,” Hyperallergic, June 14
Paddy Johnson, “GIF of the Day: Toyota Li + Time Frame!,” Art F City, June 13
Michael Anthony Farley, “This Week’s Must-See Art Events: Artists Take Over Your Landline,” Art F City, June 12
Paddy Johnson, “GIF of the Day: Time_Frame,” Art F City, June 1
“30 Artists Celebrate 30 Years of GIFs at an IRL Art Show,” Creators, May 31
Paddy Johnson, “NSFW GIF of the Hump Day: Faith Holland,” Art F City, April 26
Michael Anthony Farley, “This Week’s Must-See Art Events: Use Your Sick Days Wisely,” Art F City, March 27
Anna Pajęcka, “Czy Mam Prawo Rozebrać Się Na Instagramie?,” Enter the Room, March 9
“Image Universe: Will You Be My Valentine?,” Pelican Bomb, February 8
Michael Anthony Farley, “GIF of the Day: Chelsea Manning’s Sentence Commuted!!!,” Art F City, January 17
Jeanette Bisschops, “Gendered Embodiment in Internet Culture: The Practice of Women Internet Artists in Twenty-First Century Patriarchy,” Orlando, January 4
Elizaveta Schneyderman, “Artist Profile: Faith Holland,” Rhizome, January 4
Paddy Johnson and Michael Anthony Farley, “This Week’s Must-See Art Events: The Art World Mobilizes for 2017,” Art F City, January 3
2016
Andrea Alessi, “In 2016, Women Artists Led the Way in New Media,” Artslant, December 27
Emilie Baltz, “WRAP Interviews: Faith Holland,” New Inc x DKNY, December 19
Sam Korman “A Rose is a Rose is a –’–,–@,” Rhizome, December 9
Mark Klink, “Eyecandy: Semana 42,” Anti-Materia, December 4
Allie Miller, “Upfor.Digital: An Online, Media-Centered Art Show,” Squinch, November 24
Alyssa Buffenstein, “10 Young Female Artists’ Perspectives on Femininity Today,” ArtNet News, November 22
Emily Faber, “A Secret Online Society Created an IRL Browsing Experience for the Internet-Obsessed,” Circa, November 22
“Borderless: In Time @ Museum Van Loon Nov 24-27,” AQNB, November 21
“Seduction of a Cyborg @ Human Resources, Oct 7 – 23,” AQNB, October 7
Julie Coma, “Visual Orgasms and the Cute Aesthetic in the Work of Faith Holland,” Vein Magazine, October 4
“Freedoms + Limitations: Upfor.Digital Launch + Exhibition Online,” AQNB, September 30
Daan Borrel, “Why Artists Should Be Exposed, Not Art Viewers,” De Correspondent, September 17
Priscilla Frank, “How X-Rated Artists Came Into Power,” Huffington Post, September 14
D. Eric Bookhardy, “Review: 2 Freaky 2 Friday,” Gambit, September 12
Dana Kopel and Humberto Moro, “Al margen del sexo,” Solar Magazine, September 10
Nathalie Bachand, “Dans les Internets/In the Internet,” ETC Media, Issue 108
Corinna Kirsch, “GIF of the Day: Faith Holland’s ‘Chelsea Manning Fan Art,’” Art F City, August 19
Sietske Roorda, “Selfie: Paris Hilton capitalizes on objectification,” Vileine, July 21
Neta Alexander, “Video Art Appears Suddenly in the Midst of Porn,” Ha’aretz, June 21
Paddy Johnson, “GIF of the Day: Faith Holland’s Kitty Litter Pooper Scooper,” Art F City, May 23
Ryan Steadman, “Weekend Edition: 7 Things To Do in New York’s Art World Before May 23,” Observer, May 19
Marta Villalba, “Gifs Para Tener Sexo: Arte Erótico,” Sextante, May 9
Paddy Johnson and Michael Anthony Farley, “This Week’s Must See Events: So Many Open Studios,” Art F City, April 26
“NSFW GIF of the Hump Day: Faith Holland,” Art F City, April 20
Benoit Palop, “Modern Anxiety Comes to Light in a New GIF Art Show,” Creators Project, April 18
Michael Anthony Farley, “GIF of the Day: Democracy,” Art F City, April 8
Benoit Palop, “More Than 50 GIF Artists Take on Selfie Culture,” Creators Project, March 19
Adriana Pauly, “The 17 most influential artists on the Internet,” Missy Magazine, February 29
Paul Laster, “Weekend Edition: 12 Things to Do in New York’s Art World Before February 22,” Observer, February 18
Sooanne Berner, “After Cologne Sexual Attacks, Art Show Champions Women,” Dazed Digital, January 25
Michael Anthony Farley, “NSFW GIF of the Hump Day: Faith Holland’s boobs.gif,” Art F City, January 13
Christian Petersen, “Web Artist of the Week: Faith Holland,” ArtSlant, February 10
2015
Jenny Held, “The Most Fascinating Artworks of 2015,” Art Report, December 31
Tyler Woods, “8 Weird Projects Brooklyn Technologists Made in 2015,” Technical.ly Brooklyn, December 30
“Best of 2015: Our Top 10 Works of Internet Art,” Hyperallergic, December 29
Tilman Baumgärtel, “The GIF is a Museum Piece,” Berlin Zeitung, December 23
Timon van Mechelen, “11 GIFs Show How an Orgasm Really Feels,” Het Laatste Nieuws, December 20
Lina Rokos, “11 GIFs Suggest How You Feel an Orgasm? The Visual Artist Faith Holland Put It Best,” Popaganda, December 18
Sara Coughlin, “11 Hilariously Accurate GIFs that Show What an Orgasm Feels Like,” Refinery29, December 16
Priscilla Frank, “Fourth-Wave Feminist Artists Kicking A**,” Huffington Post, December 14
Benoit Palop, “Must-See New Media at Miami Art Week,” The Creators Project, December 2
Charlotte Jansen, “On Porn: Faith Holland,” Elephant Magazine, Issue 25
Hannah Gregory, “Porn to Pizza,” Post Matter, October 20
Char Jansen, “We’re Not Gonna Need Clones Cos We’re Only Gonna Be Clones,” ArtSlant, October 1
Amy Binny Binding, “Faith Holland,” Independent Collectors, September 29
Johanna Thompson, “Porn to Pizza: Domestic Clichés at DAM Gallery, Berlin,” SFAQ, September 16
Jillian Steinhauer, “The Weird, Wide World of an Internet Flea Market,” Hyperallergic, September 16
Tilman Baumgärtel, “The Cat as Queen of the Internet,” Die Tageszeitung, September 14
Brooklyn Magazine Editors, “Best of Brooklyn: Art and Performance,” Brooklyn Magazine, September 9
Elspeth Mitchell, “Review: Exquisite Corpse, Fuse Art Space, Bradford,” Corridor8, August 24
Benoit Palop, “A New Show Explores the ‘4P’: Porn, Pets, Plants, and Pizza,” The Creators Project, August 21
E.A. Hyde, “Forging Digital Identities: Low Museum’s Second Lowennial,” Burnaway, August 6
Adam Lehrer, “Not Fleshy Enough Performance at Faith Holland’s Solo Exhibition Technophilia @ Transfer Gallery in Brooklyn,” Autre Magazine, July 28
Alison Nastasi, “A Visual Mixtape of Explicit ‘GIFs to Have Sex By,'” Flavorwire, July 26
T.s. Flock, “Mind Candy: Digital Sweat Presents ‘GIFs to Have Sex By,” Vanguard Seattle, July 21
Florence Abitboule, “L’amour en GIF et en Abstraction,” Le Tag Parfait, July 10
Michael Anthony Farley, “GIF of the Day: GIFs to Have Sex By, Part Three,” Art F City, July 10
Corinna Kirsch, “GIF of the Day: GIFs to Have Sex By, Part Two,” Art F City, July 9
Lauren Glading, “Sexy GIFs: Safe for Work,” Topical Cream, July 9
Trey Taylor, “Does this GIF make you feel like having sex?” Dazed Digital, July 9
Corinna Kirsch, “GIF of the Day: GIFs to Have Sex By, Part One,” Art F City, July 8
Alicia Eler, “From Cum Shots to Orgasmic GIFs, a Playful Take on Virtual Sex,” Hyperallergic, July 8
A.i.A Editors, “The Agenda: This Week in New York,” Art in America, July 7
Benoit Palop, “40 Artists Create ‘GIFs to Have Sex By,'” The Creators Project, July 6
Emma Laramie, “Technophilia,” New York Minute Magazine, July 2
Korin Miller, “Meet the Woman Who Makes Art Out of Semen,” Women’s Health, July 1
Claire Warner, “‘Ookie Canvas I’ by Artist Faith Holland is a Painting Made Out of Money Shots–Yes, THAT Kind of Money Shot,” Bustle, June 30
DJ Pangburn, “Our Bodies, Our Machines: Inside the ‘New Intimacy’ of the Digital Age,” Fast Company, June 29
Frank Kobola, “This Artist Made a Painting Out of Semen,” Cosmopolitan, June 29
Joel Kuennen, “Faith Holland’s Cum ‘Paintings’ Aren’t Your Usual Cum Paintings,” ArtSlant, June 19
Benoit Palop, “Sex Penetrates Art at the ‘Technophilia’ Exhibition,” The Creators Project, June 13
Amanda Quick, “These GIFs Are About Sex: ‘Technophilia’ Art Show Looks at Sexuality in the Internet Age,” Technically Brooklyn, June 12
Audrey Phillips, “An Interview with Faith Holland,” AQNB, June 17
Cate McQuaid, “The Art of Provocation,” Boston Globe, June 9
Tish Weinstock, “Investigating Porn with Feminist Artist Faith Holland,” i-D Magazine, May 19
Charlotte Jansen, “Artists’ Desks,” ArtSlant, April 13
George Vanunts, “American Artist Collects Cum Shots for Her Art Project,” Furfur, April 13
Zing Tsjeng, “This artist would like you to send her your cum shots,” Dazed Digital, April 10
Katie Waddell, “Faceless Cum Shots Wanted,” Art F City, April 9
DJ Pangburn, “These GIFs explore democracy in mesmerizing ways,” Konbini, April 6
Johanna Fateman, “Women on the Verge: Art, Feminism, and Social Media,” Artforum, April 1
Corinna Kirsch, “GIF of the Day: Faith Holland’s ‘Equivalents,'” March 30
Josephine Bosma, “‘Body Anxiety:’ Sabotaging Big Daddy Mainframe, via online exhibition,” Rhizome, January 26
Liz Sales, “Faith Holland Chatrooms III: Click, Click, Click,” Camera Club New York Blog, January 14
Whitney Kimball, “This Week’s Must-See Art Events: Good Reasons To Put on Pants,” Art F City, January 12
Paddy Johnson and Whitney Kimball, “GIFs That Made Our Year,” Art F City, January 2
2014
Joseph Henry, “Year in Review: The Women Represented,” MOMUS, December 31DJ
Christian J Petersen, “An Interview in GIFs: Faith Holland’s Internet Explorations,” Societe Perrier, December 18
Pangburn, “Code as Bureaucracy: Art Hack Day Takes on Artificial Intelligence,” The Creator’s Project, December 1
Jon Feinstein, “Faith Holland is Obsessed with the Internet,” Humble Arts Foundation Blog, November 7
Rachel Levine, “A Feminist Touch to the Cyberfuture: HTMlles Festival,” Montreal Rampage, November 6
Romina Cameron, “The HTMlles Festival: A Guide to the Obsolete Future,” Shameless, November 5
Carroll / Fletcher, “Critical Perspectives on Pornography,” Carroll / Fletcher Onscreen, October 21
Ben Davis, “Work of Art in the Age of… Something,” Artnet News, October 17
Paddy Johnson and Corinna Kirsch, “What Does an ‘Ello’ GIF Look Like?,” Art F City, September 26
Emma Tucker, “Coded After Lovelace,” Riposte Magazine, September 10
Jillian Steinhauer, “Tracing a Lineage of Tech-Minded Women Artists,” Hyperallergic, September 2
“Click Click Click @ Whitebox Art Center, Sep 2,” AQNB, September 1
“Coded After Lovelace (2014) Exhibition Photos + GIFs,” AQNB, August 2
Paddy Johnson and Corinna Kirsch, “This Week’s Recommended Shows: Old Tech and Boobs,” Art F City, August 25
“Coded After Lovelace @ Whitebox Art Center, Aug 14 – Sep 2,” AQNB, August 14
Henry Kaye, Corinna Kirsch, and Andrew Wagner, “This Week’s Must See Art Events: Future Perfect,” Art F City, August 11
“Faith Holland’s Visual Orgasms,” Juxtapoz Magazine, August 1
Nicole Disser and Kate Beaudoin, “Now Showing: Kickstarter Film Fest, Complimentary Absinthe, and More,” Bedford and Bowery, July 18
DJ Pangburn, “The Web’s Darkest Found Footage Finds a Place on the Silver Screen,” The Creator’s Project, July 17
Whitney Kimball, “Faith Holland’s Visual Orgasms,” Art F City, July 15
Sophie Weiner, “Found Footage ‘Films’ in the Internet Age Screening at the Spectacle,” Animal NY, July 15
Hrag Vartanian, “ArtRx NYC,” Hyperallergic, July 15
Paddy Johnson, Whitney Kimball, and Henry Kaye, “This Week’s Must See Art Events: Artists Anonymous and Jimmy Cater’s Cat,” Art F City, July 14
P.J. Rey, “Sex Work and the Limits of American Libertarianism,” Cyborgology, May 10
Charlotte Raven, “For Our Eyes Only,” The Sunday Times UK, April 27
Marina Galperina, “Inside BHQF’s Women Artists Only Last Brucennial,” Animal New York, March 14
Erin Gee, “January 2014 Interview – Faith Holland,” Future Femmes, January 27
“Seduction 2.0: Faith Holland, Creator of the Website VVVVVV.XXX,” Bookmagazine, January 12
2013
“’Crazy, Sexy, Cool’ Online @ .DPI Now,” AQNB, December 16
Rachel Levine, “The Curator of the Gendered .gif,” Montreal Godzilla, December 5
Jennifer Smith, “AiOP Number: Faith Holland’s binary,” Art in Odd Places Blog, October 20
“String Literal @ Transfer Gallery, Sep 20,” AQNB, September 17
Whitney Kimball, “This Week’s Must-See Art Events: Every Nerd Loves a Book Fair,” Art F City, September 16
“Faith Holland @ Credit Card Curation,” AQNB, August 22
Christine Jun, “DA-Zed Guide to Porn Art,” Dazed Digital, August 2
“Monday Links: All Great Art Should Make You Nervous,” Art F City, June 24
Marina Galperina, “Artist’s Notebook: Faith Holland,” Animal New York, May 20
Marina Galperina, “The World’s First Abstract XXX Porn Art Site?” Animal New York, May 2
2012
Allison Meier, “Exploring Art in Odd Places,” Hyperallergic, October 18
Bryanne Leeming, “Everyday Makeup with Faith Holland,” Art in Odd Places Blog, October 11
2011
“Interview with Faith Holland,” Streaming Festival
Briana McKinnell, “Faith Holland,” Humble Arts Foundation Blog, August 25
Television & Radio
Elivina Attali, “Propriété privée!,” Des filles et leur corps, TV5 Monde Plus, 2022
Tilman Baumgärtel, “What museums can learn from net art,” Deutschlandfunk Kultur, January 16, 2021
Ellinor Landmann, “The internet should again be a playground for creativity,” Radio SRF 2 Kultur, April 16, 2020
“Of Art and Artificial Intelligence,” WDR, June 12, 2018
Associated Press, “The GIF Celebrates its 30th Birthday,” June 15, 2017
Lindsay Tuchman, “Wikipedia Edit-a-Thon Held in Jamaica to Increase Female Artists’ Online Presence,” NY1, March 19, 2917
Gene McHugh, “Episode 2: Faith Holland, Shaving Cream on RedTube (2014),” Net Art Hell, April 18, 2015
Publications As Author
“Artificial Intelligence Forced to Confront Its Own Death,” Images by Faith Holland, poem by Ariana Reines, published in connection with the exhibition “Death Drive” at Microscope Gallery, 2023
“Wire Bath,” Emergency INDEX, Volume 8: 2018, Sophia Cleary, Zoe Guttenplan, eds. (New York, NY: Ugly Duckling Presse): 500-501, 2019
“Queering Ork Aesthetics & Existing Beyond the Virtual: Theo Triantafyllidis in Conversation with Faith Holland,” AQNB, July 23, 2018
“Pursuit of Happiness: Internet Cats as Anti-FOMO,” Alicia Eler ed., Art21 Magazine, 2015
“IMG MGMT: Cosmetic Masochism, Metal on Flesh,” commissioned essay with Seth Watter, Art F City, 2015
“Artist’s Pages: VVVVVV,” Millennium Film Journal, No. 60, Grahame Weinbren, Kenneth White, eds. (Brooklyn, NY: Millennium Film Workshop), 2014
“Everyday Makeup,” Emergency INDEX, Volume 2: 2012, Yelena Gluzman, Sophia Cleary, eds. (New York, NY: Ugly Duckling Presse): pp. 382-383, 2013
“Internet as Pussy/Pussy as Internet,” Open Office Anthology, Tom Clark, Rósza Farkas, and Harry Burke, eds. (London, England: Arcadia Missa): pp. 184-187. 2013
RIP Geocities, Journal of Short Film (DVD), vol. 28, Brian Hauser, Kris Paulsen, eds. (Columbus, OH: The Ohio State University Film Studies Program), 2012