Selected Press & Bibliography

“Critics’ Pick”, by Veronica Santi, Artforum, April 2018
“Bradley Eros: All that is solid…”, by Ann McCoy, The Brooklyn Rail, April 2018
“Intention & Ephemerality: An Interview with Bradley Eros”, by Jennifer Sauer, ArtDependence, April 2018
“Recommended on a Friday: Gimme Danger, Dreamlands…” by Scott Macauley, Filmmaker Magazine, Oct 28, 2016
“Re-visions: Bradley Eros”, by Marcus Ortega, Experimental Cinema, Sept. 22, 2016
“Reproduction – and Non Reproduction – of Multitudes” by Joseph Nechvatal, D/Railed, August 22, 2016
“Audiovisual Aesthetics in Contemporary Experimental Film”, by Gabriele Jutz, The Oxford Handbook of Sound and Image in Western Art, p. 419. Oxford University Press, July 14, 2016
“Bradley Eros at Microscope Gallery”, video diary by Jonas Mekas, www.jonasmekas.com, Jan. 21, 2016
“The Discussion”, Artforum, January 2016
“Top Ten” by Jessie Stead, Artforum (online & print), October 2014
“BRADLEY EROS eau de cinema…”, by Maya Harakawa, The Brooklyn Rail, July 15, 2014
“Fine Art: Playing With Senses and Memory”, by Peter Plagens, Wall Street Journal, July 5, 2014
“Job Fair” at Silent Barn: Cinema of Transgression, Net Art Enfant Terrible”, by Marina Galperina, April 22, 2014
“Best of 2014: Our Top 10 Brooklyn Art Shows”, Hyperallergic, December, 2014
“Slide, Slide, Slide”, Wagmag, November 2014
“Spotlight: NYFA’s Strong Presence at Armory Arts Week”, NYFA Current, March 3, 2014
“Hitchcock and Contemporary Art”, by Christine Sprengler, Palgrave Macmillan, 2014
“Triple Blind: Bradley Eros, Jeanne Liotta y Kenneth Curwood” by Albert Alcoz, Visionary Film, March 23, 2013
“Le New York de Jean-Stephane Sauvaire,” Le Monde, May 10, 2013
“An Intentional Spectacle: ‘HPSCHD’ at Eyebeam” by Steve Smith, New York Times. May 5, 2013
“Handmade: The Moving Image In The Artisanal Mode”, by Gregory Zinman, New York University, ProQuest Dissertations Publishing, 2012
“Repertory Film: Mixing and Maximizing” by Steve Dollar, Wall Street Journal.Sept. 8, 2011
“Retrograde Technicity and the Cinematic Avant-Garde: Towards a New Dispositif of Production”, Gabriele Jutz, Recherches sémiotiques, Volume 31, Issue1–2–3, 2011
“Economics of the film avant-garde: networks and strategies in the circulation of films, ideas, and people”, by Kathryn Ramey, Jump Cut, No. 52, 2010
“Short Circuit: The Best of the Migrating Forms Film Festival” by R. Emmett Sweeney, The Rumpus. May 3, 2009
“Migrating Forms” by Michael Joshua Rowin, L Magazine. April 15, 2009
“Immersive Ideals/Critical Distances”, by Joseph Nechvatal, Lambert Academic Publishing, 2009
“Bruce Conner Tribute at Light Industry” by Bosko Blagojevik, ArtCat, Oct 13, 2008
“On Flux Films & Bradley Eros.” More Milk Yvette, Oct 21, 2008
Art on Air, with Lynne Sachs and MM Serra, April 2007
“Keeping Time: on Collecting Film & Video Art in the Museum,” by Chrissie Isle & Henriette Huldisch. Collecting the New: Museums and Contemporary Art. 1st & 2nd ed. Ed. Bruce Altshuler. Princeton University Press. Princeton, NJ. p81. 2005 & 2007
“Loisaida Talking Pictures.”On Edge: Performance at the End of the 20th Century (Revised Edition), Cynthia Carr. Wesleyen University Press, Middletown, CT. p. 79. 2007
“Vision Quest: Get Your Avant Garde Cinema On,” by Ed Halter. The Village Voice. Feb. 28, 2006
“Elastic Film, Mercurial Cinema”, no.w.here, originally published in Whitney Biennial 2006: Day for Night
Experimental Film and Video: An Anthology by Jackie Hattfield & Steven Littman. John Libby Pub, Eastleigh, UK, distributed in the US by Indiana University Press, Bloomington, IN. p.172. 2006
“HARKNESS A/V at MONKEY TOWN features Bradley Eros, Ray Sweeten, Zach Layton & Chika”, Mark Cooley, Rhizome. Dec. 2005
“I Just Pass My Hand Over the Surface of Things: On and Off the Screen, circa 2003.” A Line of Sight; American Avant Garde Film Since 1965. Arthur Paul. University of Minnesota Press, Minneapolis, MN. p. 164-5. 2005
Rhizome, by Mark Cooley, December 2005
“La Beauté tragique: Olkowski, Deleuze, and the ‘Ruin of Representation’”, by Joseph Nechvatal, Film-Philosophy, Deleuze Special Issue Vol. 5 No. 36, 2001
“Getting Over; Going Underground,” by Amy Taubin. The Village Voice. March 7, 2000
“Balancing the Audio and Visual,” by Kyle Gann. The Village Voice, Sept. 7, 1999


Selected Publications & Catalogs

“more captivating than phosphorus”, Millennium Film Journal #56. Essay & artist pages. 2012
Sequence, no.w.here London. Artist page. 2012
Performa09. Catalog. Photograph documents & description. 2009
“Elastic Film, Mercurial Cinema”, Whitney Biennial 2006 catalog. Essay. 2006
“There will be projections in all directions.” Millennium Film Journal #43/44. Essay. 2005
CAPTURED: A Lower Eastside Film and Video History. Ed. Clayton Patterson. Interview & Essay. 2005
Whitney Biennial 2004 catalog, Poster. 2004
Big As Life: A History of 8mm Film. MoMA catalog. Aphorisms. 1998
San Francisco Cinematheque Journal. Cut-up text. 1995
New Observations journal. Cut-up text. 1994
The Act – Performance art journal. Essay. 1987